Showing posts with label Japanese. Show all posts
Showing posts with label Japanese. Show all posts

2017-07-21

Album Review: Chara - Sympathy (2017)

Watabiki Miwa aka Chara
Source: chara-web.net
Watabiki Miwa—much better known as Chara—just celebrated over 25 years as an established artist. I have written extensively about her work here and will continue to chronicle and review her discography in future posts. However, I couldn't resist the opportunity to review her latest album Sympathy, released earlier this week. 

Although Chara will be 50 next year, and has spent almost half her life in the music industry, I believe Sympathy is indelible proof that her sound remains fresh and innovative. Sympathy includes some obvious weak links, but the star tracks shine through and demand several repeats, which makes this bittersweet album a whimsical summer gem. 

Sympathy (2017)
Source: musicman-net.com
While her sound has evolved and gone through many phases of experimentation through the years, one thing I love about Chara is that she's always unmistakably herself and never fails to be daring with her work. Sympathy is clearly a sensual album, a rare theme to spot in the work of a Japanese artist of Chara's generation. 

However, love and sensuality has been a running theme in Chara's work from her flirty, borderline exhibitionist early-90s days to her now more refined sultriness. Occasionally paired with her other common theme of innocences, this album serves romance on a wide, delectable gradient. To use an example from Chara's discography, this album is as if Madrigal (2001) had a baby with Chara's 2010s sound. There is a funky playfulness here that is hard to miss. 

Naturally, perfection is unattainable, so let's start with the weaker tracks in the album.

2016-11-22

Album Review: Metafive - EP METAHALF (2016)


Takahashi Yukihiro & Metafive - Source: Natalie.mu
After releasing Meta (2016), which can arguably be deemed the best Japanese alternative/techno album of this year, Metafive have made their rounds this year performing a several Japanese music festivals including Summer Sonic and World Happiness. Behind the scenes, the band was also recording new music, and nearly two weeks ago, they dropped an EP or mini-album—Metahalf.

Metahalf (2016)
Source: hmv.co.jp

If you've heard Metafive—or any of the six member's solo works—it goes without saying that they're a group of highly skilled musicians. Nonetheless, Metahalf just does not deliver in the same way that Meta (2016) did. That's not to say that Metahalf isn't a quality EP, it just lacks some of the magic that it's predecessor had. That being said, Meta (2016) is a rare album in that all tracks contain something special, a feat that's quite difficult and somewhat rare for an artist to produce back-to-back. 

It's usually better to get the bad news out of the way first, so let's start with the last two tracks of Metahalf, the weak links: "Peach Pie" and "Submarine". 

2016-07-20

Music Musings: Metafive (2014-Present)

Yukihiro Takahashi (third from left) & Metafive - Source: Natalie.mu
Originally posted on the now-defunct Japanistas.com.

With his penchant for classy hats and Thom Browne suits, friendly grin, and slightly raspy timbre, 64-year-old Yukihiro Takahashi hardly appears to be a techno composer or a drumming powerhouse — but appearances can be deceiving!

Beyond Takahashi’s stylish exterior lies a lifelong musical innovator with an impressive number of successful projects under his belt. An industry pioneer, Takahashi has helped mold electronica, j-pop, synthpop, new wave and even hip hop music as we know it today, and he continues to do so through his super group Metafive: recording artist and producer Keigo Oyamada aka Cornelius; Japanese-Swedish singer/songwriter Leo Imai; electric instrumentalist, Tomohiko Gondo; former Denki Grove member and DJ, Yoshinori Sunahara; and DJ and record producer, Towa Tei.

Takahashi’s formal introduction to the music industry came from his time as the drummer in the Japanese British glam rock-inspired group Sadistic Mika Band, known best for their acclaimed 1974 album Kurofune(黒船), “Black Ships”.



As the first Japanese band to tour the United Kingdom, the Sadistic Mika Band’s unique sound drew attention, especially regarding their ability to create Western-style music in an undoubtedly Japanese manner. They went on to appear on both BBC Radio and BBC TV.

Nevertheless, The Sadistic Mika Band in its original form disbanded in the mid-70’s, yet there have been a number of revivals of the band under several names over the years, including a 2006 revival with Kaela Kimura in Mika Kato’s place.

After Sadistic Mika Band’s disbandment, Takahashi went on to begin a successful solo career. Simultaneously, he was a member of world-renowned group the Yellow Magic Orchestra along with bassist, producer, and songwriter Haruomi "Harry" Hosono, and composer, pianist, and two-time Golden Globe, Academy, and Grammy award-winner Ryuichi Sakamoto.

The Yellow Magic Orchestra in the early 80’s. – Source: Factmag.com
Created by Hosono, YMO was meant to be a temporary project, but after gaining international recognition, the band played spectacular lives and recorded esteemed albums together for several years.

2016-01-27

5 Ways I Study Japanese

Source
I have made several short, lackluster efforts over the past few years to study Japanese. I remember way back in junior high during my anime-obsessed days I rented a series of Japanese learning tapes from the library; however, I didn't dedicate myself to using them daily. Since then, my Japanese knowledge has been limited to phrases here and there that I've gotten from Japanese media, especially music and television. 

Nevertheless, over the past year or so I've been making efforts to learn more Japanese. Compared to Chinese, I think it's certainly a more difficult language in terms of the grammar and writing systems among other things. At least with Japanese, when it comes to speaking, there's only intonation to concern yourself with rather than tones.

See how I use Chinese to learn Japanese here.

Although Japanese challenges me, there are five methods I use to casually study the language and check what I've learned or how much I know. I'm conversational in Mandarin, but not Japanese; I think my strongest Japanese skill at the moment is reading. Nonetheless, hopefully I will be able to hold a decent conversation in Japanese by the end of this year.

1. Learn Kana & Practice it Everyday
A hiragana-katakana chart. Memorize it!
Source

There is simply no way one can learn to read and write Japanese efficiently without learning the kana systems, hiragana and katakana. Hiragana is used to write words of Japanese origin that do not have a corresponding kanji or Chinese-derived character. Katakana represents foreign/foreign-derived words and sounds. 

While you still need to know several kanji to read most Japanese text past early elementary level, there's a host of words you can read once you learn kana:
  • カレー (karē) - curry
  • おにぎり(onigiri) - Japanese rice balls
  • オレンジー (orenjī) - orange (the color)
  • ドキドキ (dokidoki) - badum, badum; onomatopoeia for a heartbeat
  • ハンバガ (hanbāgā) - hamburger
As you probably noticed, many of my examples are food items. Therefore, if you're taking a trip to Japan, I'd strongly recommend you to learn kana so you can articulate what you want to eat instead of pointing at displays! You can easily do it within a weekend.

2015-10-24

4 Ways I Use Chinese to Study Japanese

Chinese Foreign Minister Jiechi Yang shakes hands with
Japanese Foreign Minister Masahiko Komura.
Source
While I am not a Chinese or Japanese language expert (far from it), I did commit almost three years of my life to the study of language learning, specifically cognitive linguistics (CL). Accordingly, when I teach English or engage in language learning myself, I tend to use cognition-based techniques; they are logical as they relate to how the mind works. I also love that CL centers around semantics; meaning is the focus, not syntax or grammar rules.

Nevertheless, although it is CL-based, this post is not meant to be an exploration of CL. I'd simply like to share my thought process and some of the methods I use now that I am trying to reinforce and learn more Mandarin while acquiring the basics of Japanese.

Naturally, I've written this post as a person who studied Mandarin first, then Japanese. However, if you're only studying Chinese or Japanese, you might find some of these methods useful as well. Hopefully, this will encourage you to pursue both languages. As ancient Japanese was derived from Chinese, if you're currently learning one of those languages, you have already built a great foundation for the other.

1. Pay attention to on-yomi readings of kanji, they will be easier to memorize

As anyone studying Japanese should know, kanji(漢字)are identified as either on-yomi(音読み)or kun-yomi(訓読み)readings. The former are extracted from Chinese (not just Mandarin, but the many regional dialects in China), while the latter are derived from Japanese meanings. Thus katakana, the writing system for foreign words and onomatopoeia, is used to write the pronunciation of on-yomi because they're not from Japanese. Of course, there are sub-classifications under each, but they're not important to know in order to understand how to read kanji.

Chinese learners know there is a Simplified and Traditional writing system. Simplified as its known now began its development in the 1930s as a response to illiteracy (some Chinese characters are so elaborate they have over 10 strokes). It's used primarily in Mainland China and the Chinese departments of Western universities. Unfortunately, much of the meaning behind Chinese characters are stripped away in Simplified, but luckily, the two systems of writing have an overlap of over 50%; there are several characters that look the same in both scripts.

Now, for those of us who'd like to learn both languages, we get to be utterly confused as Japanese kanji uses both Simplified and Traditional Chinese writing. Well, perhaps I'm exaggerating. I actually find this double-dipping as a reinforcement to my Chinese as I learned Simplified in college and Traditional in Taiwan.

Still, when studying, you have to be conscious of the differences. On-yomi sticks in my brain almost immediately because of its closeness to the original Chinese words. However, not all on-yomi is Mandarin-derived, so there's more brainpower needed to remember the ones formed from other Chinese dialects.

Take a look at the chart I made below:


  Japanese
(
kun-yomi)
 Japanese
(on-yomi) 
 Chinese
(Simplified) 
 Chinese
(Traditional) 
 English
病
(や.む、-や.み、やまい)
(ya.mu, -ya.mi, yamai)

病
(ビョウ、ヘイ)
(byõ, hei)
病 
(bing4)
病 
(bing4)
ill; sick; sickness/disease
 試
(こころ.みる、ため.す)
(kokoro.miru, tame.su)

 試
(シ)
(shi)
 试 
(shi4)
試 
(shi4)
 test; try; attempt; experiment; ordeal (Japanese); 
fit (Chinese)
 学
(まな.ぶ)
(mana.bu)

学
(ガク)
(gaku)
 学
(xue2)

學
(xue2)
study; learning; science (Japanese); subject/-logy (Chinese)
 n/a
不
(フ、ブ)
(fu, bu)
 不
(bu4)
不
(bu4) 
 negative; non-; not; bad (Japanese); ugly (Japanese); clumsy (Japanese); neg. prefixes (e.g., "ir-"; "im-"; "in-") (Chinese)